APPLICATION NOTES
Application Notes
EDIUS Pro 6.5 License Activation Application Note
(PRV-4161M) File size: 647.0 KB, posted Jun 28 2012
CASE STUDIES
Case Studies
Frank Ladner – "Hickory Never Bleeds" Case Study
(PRV-5186M) File size: 546.1 KB, posted Apr 05 2013
As most independent filmmakers will tell you, technology should not get in the way of creativity. It should cost-effectively help the process in a highly transparent way. Frank Ladner said he came to use EDIUS in a very accidental way. He was looking for a stable system after years of frustration using other systems. He got a free 30-day demo version of EDIUS, was easily able to put together a music video with it, and was quite impressed with its features and speed. He soon purchased a full version for his new project.
As most independent filmmakers will tell you, technology should not get in the way of creativity. It should cost-effectively help the process in a highly transparent way. Frank Ladner said he came to use EDIUS in a very accidental way. He was looking for a stable system after years of frustration using other systems. He got a free 30-day demo version of EDIUS, was easily able to put together a music video with it, and was quite impressed with its features and speed. He soon purchased a full version for his new project.
Frogman Productions: Bringing Speed and Sophistication to Small Projects Case Study
(PRV-4171M) File size: 578.0 KB, posted Nov 02 2012
Bruce Austin: Veteran Filmmaker Finds New Efficiencies for 3D with EDIUS Case Study
(PRV-4169M) File size: 708.1 KB, posted Nov 02 2012
Comfortably Numb: Grass Valley EDIUS Helps Promote The Pink Floyd Sound Case Study
(PRV-4157M) File size: 783.5 KB, posted Mar 09 2012
Al Caudullo Productions — Tales from the 3D Road at the Mongolian Golden Eagle Festival Case Study
(PRV-4149M) File size: 1.2 MB, posted Dec 20 2011
Al Caudullo of Al Caudullo Productions writes of his experiences shooting in the rugged highlands of western Mongolia using an entirely 3D-based workflow, including working with the new EDIUS® 3D Preview vNLE software from Grass Valley®.
"During our on-site production, we stretched EDIUS's capabilities to the limit and beyond. It never failed us. We used it in multiple environments, in everything from rugged Mongolian gers to dung-roofed housing. Our immediate concern was to be able to download volumes of 3D footage not only from our cameras and recorders, but to be able to check our dailies. This was to make sure our framing and 3D were within spec and keeping within the storyline. EDIUS was a marvel to work with, easily creating stereo pairs and stereo adjusting using only the Toshiba laptop and a 24-inch LG 3D CinemaDisplay monitor. It was a hit with our hosts and the eagle trainers who flocked around the screen in 3D glasses and adapted to watching 3D as naturally as they would call to their eagles."
Al Caudullo of Al Caudullo Productions writes of his experiences shooting in the rugged highlands of western Mongolia using an entirely 3D-based workflow, including working with the new EDIUS® 3D Preview vNLE software from Grass Valley®.
"During our on-site production, we stretched EDIUS's capabilities to the limit and beyond. It never failed us. We used it in multiple environments, in everything from rugged Mongolian gers to dung-roofed housing. Our immediate concern was to be able to download volumes of 3D footage not only from our cameras and recorders, but to be able to check our dailies. This was to make sure our framing and 3D were within spec and keeping within the storyline. EDIUS was a marvel to work with, easily creating stereo pairs and stereo adjusting using only the Toshiba laptop and a 24-inch LG 3D CinemaDisplay monitor. It was a hit with our hosts and the eagle trainers who flocked around the screen in 3D glasses and adapted to watching 3D as naturally as they would call to their eagles."
Red Union Films: Powder — Real-time, mixed-format post production Case Study
(PRV-4133M) File size: 783.2 KB, posted Jun 28 2011
Owning their own EDIUS systems has enabled Red Union Films to respond to all the creative variables that happen in independent filmmaking, while allowing them to maintain complete control over production from the beginning to the very end.
Owning their own EDIUS systems has enabled Red Union Films to respond to all the creative variables that happen in independent filmmaking, while allowing them to maintain complete control over production from the beginning to the very end.
Kathryn O’Leary: EDIUS in News Case Study
(PRV-4121M) File size: 733.7 KB, posted Feb 03 2011
Veteran news editors at an NBC affiliate station in the central New England area understand that when there's a breaking story to tell, they don't have time for technology. That's why they chose the Grass Valley™ EDIUS® HD editing system, as part of a fast and efficient workflow.
Veteran news editors at an NBC affiliate station in the central New England area understand that when there's a breaking story to tell, they don't have time for technology. That's why they chose the Grass Valley™ EDIUS® HD editing system, as part of a fast and efficient workflow.
Whitewater Media Editing Under Fire Case Study
(PRV-4115M-1) File size: 904.1 KB, posted Apr 06 2011
The promotional video, Journey to the Line, which accompanies the album, was shot on location in Iraq, which is how Paul Bates of Whitewater Media, a veteran of the London post production scene and now an independent movie-maker specializing in music, found himself in the middle of the desert, in mid-summer, shooting and editing in a sandstorm.
The promotional video, Journey to the Line, which accompanies the album, was shot on location in Iraq, which is how Paul Bates of Whitewater Media, a veteran of the London post production scene and now an independent movie-maker specializing in music, found himself in the middle of the desert, in mid-summer, shooting and editing in a sandstorm.
Abraham Joffe Videographers Australia's (and Possibly the World's) First 3D Wedding Case Study
(PRV-4114M-1) File size: 823.3 KB, posted Apr 06 2011
Abraham Joffe Videographers made the transition from 2D HD to 3D editing with the same EDIUS real-time editing system they have been using all along. EDIUS has good support for 3D, so they were completely familiar and comfortable with the way it works, even in 3D.
Abraham Joffe Videographers made the transition from 2D HD to 3D editing with the same EDIUS real-time editing system they have been using all along. EDIUS has good support for 3D, so they were completely familiar and comfortable with the way it works, even in 3D.
Avi Sher: Editing On Location Case Study
(PRV-4113M) File size: 436.9 KB, posted May 10 2011
Avi Sher is a busy video editor, serving a broad range of clients in Israel, including the advertising industry. When it comes to online videos, he finds he is regularly being challenged with one big demand: "the advertising and creative companies want the video ASAP!"
Speed of delivery is just one part of the challenge. For Sher's clients, if a picture is worth a thousand words, then a video is worth a thousand pictures. His clients know what they want, they know the business message they want to deliver, and they want to sit with the editor to make sure the video is done right.
Avi Sher is a busy video editor, serving a broad range of clients in Israel, including the advertising industry. When it comes to online videos, he finds he is regularly being challenged with one big demand: "the advertising and creative companies want the video ASAP!"
Speed of delivery is just one part of the challenge. For Sher's clients, if a picture is worth a thousand words, then a video is worth a thousand pictures. His clients know what they want, they know the business message they want to deliver, and they want to sit with the editor to make sure the video is done right.
EPTV: Nonlinear news editing system offers regional broadcaster the right blend of format support, connectivity and flexibility Case Study
(PRV-4092M-1) File size: 684.2 KB, posted Jan 27 2011
EPTV (Emissoras Pioneiras de Televisão) a major affiliate of the TV Globo Network in Brazil and operator of four TV stations, leverages the latest workflow tools in EDIUS® to produce a variety of original programming for daytime broadcasts and archived (on-demand) playback
EPTV (Emissoras Pioneiras de Televisão) a major affiliate of the TV Globo Network in Brazil and operator of four TV stations, leverages the latest workflow tools in EDIUS® to produce a variety of original programming for daytime broadcasts and archived (on-demand) playback
Rusty Rogers Films: With the Grass Valley EDIUS NLE, embracing new workflows is easy Case Study
(PRV-4091M-1) File size: 636.5 KB, posted Jan 27 2011
After more than 15 years in the video production business, Rusty Rogers understands how critical it is to leverage the latest technology. yet, while embracing many of the latest new media tools in use today by production professionals, he continues to trust his most important projects to an editing platform that he began using in the mid 1990s—The Grass Valley™ EDIUS® NLE.
After more than 15 years in the video production business, Rusty Rogers understands how critical it is to leverage the latest technology. yet, while embracing many of the latest new media tools in use today by production professionals, he continues to trust his most important projects to an editing platform that he began using in the mid 1990s—The Grass Valley™ EDIUS® NLE.
Red Union Films: Awaydays — Real-time, mixed-format post production Case Study
(PRV-4073M-1) File size: 814.8 KB, posted Jan 27 2011
AMG Television Productions: Satisfying The Need For Speed With EDIUS Case Study
(PRV-4064M-1) File size: 660.8 KB, posted Jan 27 2011
Andy Glossop of AMG Television Productions, shoots, edits, and produces extensive coverage for various Race & Rally Championships throughout Great Britain. He edits on an EDIUS system, with its real-time processing and multilayered effects preview, in order to meet tight deadlines.Andy Glossop has a need for speed. Whether it's watching his beloved motor sports racing for pleasure or editing television sports programming for the UK's popular Channel 5, he likes things to happen quickly—give it to him fast and furious!
As owner and executive producer of AMG Television Productions, Glossop understands the unique requirements of digital video production and the increasing demands his clients place on him. It's this need for real-time processing and effects in order to turn around completed projects quickly that led him to use the latest version of Grass Valley® EDIUS® editing software. Glossop is such a fan of EDIUS, he's used every version of the NLE software since 1998.
Andy Glossop of AMG Television Productions, shoots, edits, and produces extensive coverage for various Race & Rally Championships throughout Great Britain. He edits on an EDIUS system, with its real-time processing and multilayered effects preview, in order to meet tight deadlines.
As owner and executive producer of AMG Television Productions, Glossop understands the unique requirements of digital video production and the increasing demands his clients place on him. It's this need for real-time processing and effects in order to turn around completed projects quickly that led him to use the latest version of Grass Valley® EDIUS® editing software. Glossop is such a fan of EDIUS, he's used every version of the NLE software since 1998.
TheFrank Aldana Case Study
(GVB-1-0028A-EN-CS) File size: 861.4 KB, posted Oct 06 2014
A Journey of Peace with EDIUS and the world’s largest peace mural
TheFrank Aldana (yes, he refers to himself in the third person), his wife Tweet Aldana, and a host of volunteers took on photography and videography duties. This resulted in 9,454 pictures and 1,101 (more than 11 hours) of video clips, captured with just about every device imaginable in a multitude of formats.
With the ability to work natively with just about any kind of media you throw at it, Grass Valley® EDIUS® made the sheer volume of footage somewhat less daunting for Aldana.
A Journey of Peace with EDIUS and the world’s largest peace mural
TheFrank Aldana (yes, he refers to himself in the third person), his wife Tweet Aldana, and a host of volunteers took on photography and videography duties. This resulted in 9,454 pictures and 1,101 (more than 11 hours) of video clips, captured with just about every device imaginable in a multitude of formats.
With the ability to work natively with just about any kind of media you throw at it, Grass Valley® EDIUS® made the sheer volume of footage somewhat less daunting for Aldana.
MANUALS
Manuals
EDIUS Pro v6.5 Edit Anything Installation Guide
(F0951208201) File size: 458.7 KB, posted Aug 24 2012
EDIUS Pro v6.5 Edit Anything Reference Guide
(F0951204271) File size: 37.2 MB, posted Jun 29 2012
EDIUS Pro v6.5 Edit Anything Installation Guide
(F0951204131) File size: 819.5 KB, posted Jun 29 2012
RELEASE NOTES
Release Notes
EDIUS Pro 6.5: Edit Anything Release Notes v6.55b8652
(6.55) File size: 64.2 KB, posted Nov 30 2015
EDIUS Pro 6.5: Edit Anything Release Notes v6.54
(6.54) File size: 89.6 KB, posted Apr 22 2013
EDIUS Pro 6.5: Edit Anything Release Notes v6.52
(6.52) File size: 55.9 KB, posted Oct 18 2012
THIRD-PARTY PLUG-INS
Third-Party Plug-Ins
EDIUS 6.52 Third-Party Plug-in Compatibility List
(PRV-4123M-4) File size: 557.4 KB, posted Oct 18 2012
WHITEPAPERS
Whitepapers
The Benefits of HQX Whitepaper
—by Akira Takemoto, Digital Editing Solutions, (GVB-1-0027A-EN-WP) File size: 1.1 MB, posted Sep 26 2014
This paper discusses the Intermediate Codec solutions available from several vendors which are then compared in terms of picture quality, flexibility and suitability for use with graphics as well as video. In like-for-like tests, the Grass Valley, a Belden Brand, HQX Intermediate Codec offers comparable picture quality and is shown to have superior multigenerational performance. When combined with frame rate and resolution flexibility, plus built-in alpha channel support, this paper supports the conclusion that HQX is the best choice for creative editing.
This paper discusses the Intermediate Codec solutions available from several vendors which are then compared in terms of picture quality, flexibility and suitability for use with graphics as well as video. In like-for-like tests, the Grass Valley, a Belden Brand, HQX Intermediate Codec offers comparable picture quality and is shown to have superior multigenerational performance. When combined with frame rate and resolution flexibility, plus built-in alpha channel support, this paper supports the conclusion that HQX is the best choice for creative editing.