The LDX 86N Series delivers native HD, 3G and 4K images for the highest possible resolution and image clarity. The LDX 86N Series lets you grow into the formats you need tomorrow while buying only what you need today. With a daily, weekly or perpetual GV-eLicense upgrade path, you can move from any single speed HD/3G format to 4K from 3X HD speed to 6X HD/3X 3G speed and even a camera that can switch between higher resolution and higher frame rate. Optional high dynamic range (HDR) for single-speed operation is available via a perpetual GV-eLicense.
LDX 86 Series High Sensitive (HD/3G/4K/High-Speed with optional HDR)
The LDX 86 Series of cameras offer the perfect solution for all format requirements, especially when light sensitivity is of prime importance. Acquiring in native 1920x1080, the LDX 86 4K and LDX 86 Universe cameras use a unique closed-system process for 3840x2160 UHD where all of the processing takes place within the camera system. This delivers a 4K image with the highest light sensitivity available in any system camera, with images almost indistinguishable from native 4K acquisition in most applications.
The world's first self-contained high-speed cameras in a small form factor for space-constrained applications. As an extension to the LDX range of cameras, they produce the same level of quality from angles and in areas where high-speed cameras with a compact form factor are required.
LDX 82 Series (HD/3G with optional HDR)
A unique line of advanced imaging cameras built around Xensium-FT CMOS imagers. These cameras have the highest sensitivity and image performance across different video formats, while offering a new level of business flexibility by using one hardware platform with a flexible GV-eLicense software upgrade implementation.
With the addition of BT.2020 wide color gamut support and optional HDR support, these cameras provide an outstanding solution for all HD/3G applications.
LDX C80 Compact Series (HD/3G)
An extension to the LDX Series of cameras with an identical image performance and a comparable feature set but in a smaller mechanical package. They are the perfect companions to the LDX Series cameras and bring a new level of image performance and business flexibility for all applications where cameras with a compact form factor are required.
Creative Grading Technical Brief (TB-PUB-3-0810A-EN) File size: 1.4 MB, posted Apr 13 2022 The capture of high-quality camera images during live conditions can be very demanding. Whether indoors or out, the difficulties of adapting to the limitations of natural or artificial lighting and responding to rapid lighting changes are compounded by the artistic choices of a camera look, matching ambient or branded coloring, producing in multiple video formats, and of course satisfying unpredictable customer expectations all under high-pressure time constraints.
Using Creative Grading for Distributed Production Technical Brief (TB-PUB-2-0952A-EN) File size: 1.2 MB, posted Oct 19 2020 Camera shaders are a critical part of maintaining picture quality during the constantly changing conditions of a multicamera live production. In today's socially distanced environments, media production teams would like to reduce the number of crew members on-site by allowing the camera shaders to work off-site. But they still must maintain the responsive reaction times needed for live shading.
The Impact of New Production Formats and Workflows to Camera Control Whitepaper by Klaus Weber, Principal, Camera Solutions and Technology, (GVB-2-0608A-EN-WP) File size: 1.2 MB, posted May 28 2019 Today, camera control solutions in live broadcast productions are mainly used to adapt the camera's capabilities to a given light situation, and to achieve a certain "look" and style of the images. New formats such as high dynamic range (HDR), wide color gamut (WCG), 4K UHD, IP and simultaneous HDR/SDR or HD/4K UHD operations, require more agile controls. Now with more features to be controlled, managing the various settings becomes very difficult. A broadcast camera control solution that leverages the developments from grading applications used in post-production and other widely used image control applications, such as Photoshop, will benefit from new ideas and the new talents grown with these solutions. It's time for a change! This paper will explain the background of today's camera control solutions and show, based on extensive customer feedback, how it should develop in the future.
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