Set the default value of the audio monitoring mode for the Player when the project starts.

When [Off] is selected, the project starts without setting the audio monitoring mode.

Specify the default value by channel map when [Custom] is selected in [Audio Monitoring Mode] and monaural clip is played back. To change the clip to be played back on the Player to stereo, right-click on the track patch of the source channel and click [Audio Source Channel (Stereo)] *.

Specify the default value by channel map when [Custom] is selected in [Audio Monitoring Mode] and stereo clip is played back. To change the clip to be played back on the Player to monaural, right-click on the track patch of the source channel and click [Audio Source Channel (Stereo)] *.

Set the default value of the audio monitoring mode for the Recorder when the project starts.

When [Off] is selected, the project starts without setting the audio monitoring mode.

Specify the default value by channel map when [Custom] is selected in [Audio Monitoring Mode].

Stop the playback when playback processing cannot keep up with the playback speed.

Specify the size of the buffer used for realtime playback in MB (megabytes).

Set the number of frames buffered when starting playback. When playback stops because it cannot keep up with the speed just after playback is started, the situation may be improved by increasing the number of frames.

Set the length of the margin added at In and Out points at capture operation.

After a device preset is selected in the [Select Input Device] dialog box at a capture operation, the dialog box for setting the reel name appears.

Check and set the file name at a capture operation. If you select [Before Capture], you can set the destination and file name before performing capture. If you select [After Capture], you can set the destination and file name after capture is finished.

Play back the file created after capture automatically.

Correct audio errors automatically at a capture operation.

If you create 2 files for the L side (for left eye) and the R side (for right eye) with 2 streams at stereoscopic source capture, set the suffix for the file name for L and R sides.

Select the conditions for automatically inserting cuts in files at capture operation. Cut insertion conditions are as follows:

• [At Timecode Break]

• [When Aspect Ratio Changes]

• [When Sampling Rate Changes]

• [When the recorded Time Date Changes]

Select how cut positions are processed.

If you select [Divide Files], files are divided at the cut position. If you check [Group Divided Files as Sequence], multiple divided files are registered to the bin as a single sequence clip.

If you select [Add Marker], a clip marker is set at the cut position.

Select the deck state after capture operation from the list.

Select the rendering target. For example, if you check [Filters] and a rendering option is set when a filter is applied on a clip placed on the timeline, the area of that clip changes color to yellow. By unchecking [Filters], the area will not change color to yellow. By default, all items below are checked.

Color Coding of Time Scale

Select video filters as the rendering target.

Select transitions and title mixers as the rendering target.

Select key effect and transparency (when changed from the default) as the rendering target.

Select clips that feature any speed adjustments from the default value of 100% as the rendering target.

Select clips matching any of the following formats as the rendering target:

• Frame size different from that in the project

• Aspect ratio different from that in the project

• Frame rate different from that in the project

• Field order different from that in the project

• Compression format different from format handled by codec specified in the project settings

• Clip including alpha information

Check this item to perform rendering when the buffer becomes less than the set value in [Buffer Left: Fewer than] at playback.

Set the left of buffer value to be referenced for rendering decisions.

Select the timing to delete rendering files.

Enter the name of the sequence.

Enter the measurement time for the momentary value.

Enter the measurement time for the short-term value.

Enter the overlap value.

Enter the relative gating block level.

Enter the target level.

Set the meter range.

Set the output channel assignments for L/R/C/LS/RS channels.

Set the assignment to both [Group 1] and [Group 2] to measure 2 groups simultaneously.

Select an equation of the downmix process from the list.

Add a preset.

Delete a preset.

Register the preset for the settings.

Import/export the setting file for the loudness meter.

Specify the transfer destination of the file. If [Custom folder] is selected, click [Browse] and specify a transfer destination.

Check this item to create the date folder in the folder set in [File transfer folder].

Display the path of the transfer destination. “%MediaType%” is the name of the source media to be transferred by the source browser.

Check this item to delete the last frame when exporting a file in 60p/50p so that the number of the frames will be even.

Check this item to restrict the SNFS bandwidth.

The list of SNFS drives appears.

Click this item to display the [QoS] dialog box, then add an SNFS drive.

[QoS] Dialog Box

Delete an SNFS drive from the drive list.

Change the SNFS drive settings.

Select a drive to restrict the bandwidth.

Set the upper limit of the bandwidth.

Check this item to automatically notify of the release of the updated EDIUS at the startup.

[Update Notification] Dialog Box

Click this item to download the updater.

Check this item not to automatically notify of the release of the updated EDIUS for the next 30 days.