AVCHD

―

*.m2ts

[AVCHD]

[AVCHD Writer]

Writing back in AVCHD or AVCHD Format

AVCHD 3D

―

*.m2ts

[AVCHD 3D]

[AVCHD 3D Writer]

AVI

Grass Valley HQ

Grass Valley HQ (Alpha)

Grass Valley HQX

Grass Valley HQX (Alpha)

Grass Valley Lossless

DV

DVCPRO HD

DVCPRO50

Uncompressed (RGB)

Uncompressed (RGBA)

Uncompressed (UYVY)

Uncompressed (YUY2)

Uncompressed (v210)

*.avi

[Grass Valley HQ]

[Grass Valley HQ (Alpha)]

[Grass Valley HQX]

[Grass Valley HQX (Alpha)]

[Grass Valley Lossless]

[DV]

[DVCPRO HD]

[DVCPRO50]

[Uncompressed (RGB)]

[Uncompressed (RGBA)]

[Uncompressed (UYVY)]

[Uncompressed (YUY2)]

[Uncompressed (v210)]

Selecting a Codec to Export in AVI Format

Blu-ray

H.264/AVC

*.m2ts

[Blu-ray]*１

Exporting to a BD Output Format, Exporting to Disc

Blu-ray 3D

H.264/AVC

*.m2ts

[Blu-ray 3D]*１

Exporting to a BD Output Format

DVD*１

MPEG-2

―

Exporting to Disc

Flash Video

H.264/AVC

*.f4v

[F4V]

Flash Video (F4V) Export

GF

MPEG2 I-frame only, MPEG2 Long GOP

DV

DVCPRO25

DVCPRO50

SD

*.xml + *.mxf

[GF clip]

[GF clip(DV)]

[GF clip(DVCPRO25)]

[GF clip(DVCPRO50)]

[GF clip(SD)]

Exporting to a GF Device

H.264/AVC

H.264/AVC

*.mp4

[H.264/AVC]

Exporting in MP4 Format

HDV

MPEG-2 Transport Stream

*.m2t

[HDV]

Exporting Files with an HDV Exporter

Infinity

DV

JPEG2000

D10

MPEG

*.xml + *.mxf

[Infinity DV]

[Infinity JPEG2000]

[Infinity D10]

[Infinity MPEG]

Exporting to an Infinity Device

iPod

H.264/AVC

*.mp4

[iPod]

Exporting in MP4 Format

K2 (CMF)*2

AVC-Intra 50/100

AVC-LongG

AVCHD

D10

DNxHD

DV

DVCPRO HD

MPEG-2

*.xml

[K2 AVCIntra Clip]

[K2 AVCUltra Clip]

[K2 D10 Clip]

[K2 DNxHD Clip]*3

[K2 DV Clip]

[K2 DVCPRO HD Clip]

[K2 AVCHD Clip]

[K2 MPEG2 Clip]

Exporting in K2 (CMF) or K2 (GXF) Format

K2 (GXF)

AVC-Intra

AVC-LongG

D10

DNxHD

DV

DVCPRO25

DVCPRO50

DVCPROHD

JPEG2000

MPEG-2

*.gxf

[AVCIntra GXF]

[AVCUltra GXF]

[D10 GXF]

[DNxHD GXF]*3

[DV GXF]

[DVCPRO25 GXF]

[DVCPRO50 GXF]

[DVCPROHD GXF]

[JPEG2000 GXF]

[MPEG2 GXF]

Exporting in K2 (CMF) or K2 (GXF) Format

MPEG2 Elementary Stream

MPEG-2

*.m2v

[MPEG2 Elementary Stream]

Exporting in MPEG2 Format

MPEG2 Program Stream

MPEG-2

*.mpg, *.m2p

[MPEG2 Program Stream]

MP4

H.264/AVC

*.mp4

[H.264/AVC]

Exporting in MP4 Format

MXF

AVC-Intra 50/100/200

AVC-LongG

D10

DNxHD

DV

DVCPRO25

DVCPRO50

DVCPROHD

Grass Valley HQ

Grass Valley HQX

JPEG2000

MPEG-2

*.mxf

[AVCIntra MXF]

[AVCUltra MXF]

[D10 MXF]

[DNxHD MXF]*3

[DV MXF]

[DVCPRO25 MXF]

[DVCPRO50 MXF]

[DVCPROHD MXF]

[HQ MXF]

[HQX MXF]

[JPEG2000 MXF]

[MPEG2 MXF]

Exporting in MXF Format

P2

AVC-Intra50/100/200(ver.7.50)

AVC-LongG

AVC-Intra 4K 422

DV/DVCPRO25/DVCPRO50

DVCPRO HD

*.xml + *.mxf

[HD P2 clip]

[AVCUltra P2 clip]

[AVCUltra P2 clip]

[P2 clip]

[HD P2 clip]

Exporting to a P2 Card

P2 3D

AVC-Intra50/100

*.xml + *.mxf

[HD P2 3D clip]

Exporting to a P2 Card

AG-3DA1

AVCHD

*.m2ts

[AVCHD(Dual Card 3D)Writer]

Exporting in 3DA1 Format

PlayStation Portable

H.264/AVC

*.mp4

[PlayStation Portable]

Exporting in MP4 Format

QuickTime

Grass Valley HQ

Grass Valley HQX

Codecs other than the above*4

*.mov

*.mov

―

[QuickTime]

Exporting in QuickTime Playback Format

WindowsMedia

―

*.wmv

[WindowsMediaVideo]

Exporting Files with an Exporter

XAVC

XAVC Intra/Long GOP

XAVC S*5

*.xml + *.mxf

*.xml + *.mp4

[XAVC]

[XAVC S]

Exporting to XDCAM Device or in XAVC Format

Exporting to XAVC S Device or in XAVC S Format

XDCAM

DVCAM

MPEG IMX

MPEG HD

MPEG HD422

*.xml + *.mxf

[XDCAM DV]

[XDCAM MPEG IMX]

[XDCAM HD]

[XDCAM HD 422]

Exporting to XDCAM Device or in XDCAM Format

XDCAM EX

DVCAM

MPEG HD

*.xml + *.mp4

[XDCAM EX DV]

[XDCAM EX]

Exporting to XDCAM EX Device or in XDCAM EX Format

XDCAM EX 3D

MPEG HD

*.xml + *.mp4

[XDCAM EX 3D]

Exporting to XDCAM EX Device or in XDCAM EX Format

Dolby Digital(AC-3)*1

*.ac3

［Dolby Digital(AC-3)］

Exporting Audio

Dolby Digital Professional(AC-3)*2

*.ac3

［Dolby Digital Professional(AC-3)］

AIFF

*.aif, *.aiff

[PCM AIFF]

WAVE

*.wav

[PCM WAVE]

Sony/Sonicfoudry Wave64

*.w64

[Sony/Sonicfoundry Wave64]

Windows Media Audio

*.wma

[WindowsMediaAudio]

MPEG1 Audio Elementary Stream

*.mpa

[MPEG2 Elementary Stream]

Dolby Digital Plus(E-AC-3)*2

*.ec3

［Dolby Digital Plus(E-AC-3)］

JPEG File Interchange Format Files

*.jfif

[Still Image]

Exporting a Still Image

JPEG Files

*.jpg, *.jpeg

Mac Pict Files

*.pic, *.pct, *.pict

Portable Network Graphics Files

*.png

Photoshop Files

*.psd

Quick Time Image Files

*.qtif, *.qti, *.qif

SGI Files

*.sgi, *.rgb

Targa Files

*.tga, *.targa, *.vda, *.icb, *.vst

TIFF Files

*.tif, *.tiff

Windows Bitmap Files

*.bmp, *.dib, *.rle

Select a category to narrow down the exporter options.

Display the default exporters.

Display exporters in a list in the order of most recently used first.

Display the preset exporters registered by the user in a list.

Display all exporters in a list. You can narrow the exporter options by selecting a category by format.

Display the exporters within a selected category in a list.

Display preset exporters stored as default and preset exporters stored by the user.

Creating Preset Exporters

Deleting Preset Exporters

Exporting Preset Exporters (Export)

: Video exporter

Indicates exporters to export a file that includes a video element.

: Audio exporter

Indicates exporters to export an audio element.

: A preset where conversion is performed

Check [Enable Conversion] to display all preset exporters including preset exporters with a format that differs from the project settings.

Exporting to File in a Format that Differs from the Project Settings

Creating Preset Exporters

Search the exporters.

Check this item to export only between In and Out points of the timeline.

Check this item to enable conversion processing used to export in formats that differ from the project settings.

Exporting to File in a Format that Differs from the Project Settings

Check this item to export with a timecode shown on-screen.

Check this item to export in 16 bits/2ch regardless of the audio format of the project settings or selected preset exporter. Convenient to leave checked when exporting a multi-channel project to be used with another company software.

Displayed only in the stereoscopic edit mode. Select the format of stereoscopic processing from the list. Selectable items differ according to the selected exporter.

[L/R Dual Stream] exports the video of the L and R sides to a single dual stream-compatible file.

[Left only]/[Right only] exports video of the L or R side only to a single file.

[Side by Side]/[Top and Bottom]/[Line Interleave]/[Blend]/[Anaglyph]/[Difference]/[Split Grid] combine and output the video of the L and R sides to a single file.

Stereoscopic Processing Type

[Separate L/R Clips] outputs the video of the L and R sides separately to two different files.

Click the expand button to configure conversion processing when exporting in a format that differs from the project settings.

[Print to File] (Detailed Settings) Dialog Box

Select an exporter in the exporter/preset list, and click [Save as default] to save the settings in [Current default]. Select [Default Exporter(Print to file)] from [Export] on the Recorder to select the saved default exporter easily.

: [Save preset]

Register the exporter selected in the exporter/preset list together with the conversion processing configured under [Advanced] as a preset exporter.

Creating Preset Exporters

: [Delete preset]

Delete the preset exporter selected in the exporter/preset list.

Deleting Preset Exporters

: [Import preset]

Import preset exporters.

Importing Preset Exporters (Import)

: [Export preset]

Export the preset exporter selected in the exporter/preset list.

Exporting Preset Exporters (Export)

Add the specified range to the batch list.

Registering Ranges to Be Exported in a Batch List

[CBR] is a fixed transfer mode. It encodes with a constant bitrate regardless of movement or image complexity. Enter a value for [Bitrate].

[CBR (2-pass)] performs encoding after an analysis for movement and image complexity.

[VBR (quality based)] is a variable transfer mode of direct conversion. The allotted bitrate is varied according to movement and image complexity. Enter a value for [Quality].

[VBR (2-pass)] is a variable transfer mode. The allotted bitrate is varied after an analysis of movement and image complexity. Enter the average bitrate in [Bitrate], and maximum bitrate in [Max].

Check this item to change the frame rate (1-60 fps). To set to 29.97 fps, enter “2997”.

The image size can be set by selecting from the list. Checking [Square pixel] sets the image aspect ratio at 1:1. Check this if the video is made vertically long or horizontally long by the playback device.

Move the slider depending on the relative importance of [frame rate (0)] (prioritizes smooth movement) and [image quality (100)].

[CBR] is a fixed transfer mode. It encodes with a constant bitrate regardless of audio complexity. Select a bitrate from the [Bitrate] list.

[CBR (2-pass)] performs encoding after an analysis for audio complexity.

[VBR (quality based)] is a variable transfer mode. The allotted bitrate is varied according to audio complexity. Select an average bitrate from the [Quality] list.

Display a list of commonly used video formats. When you select a video format from the list, [Frame Size] and other items will switch to the selected video format settings.

Select a frame size from the list. Select [Custom] to enter a setting value in pixels.

Select an aspect ratio from the list. If you select [Custom Display Aspect] or [Custom Pixel Aspect Ratio], you can set the aspect ratio by entering values. If you have set a customized aspect ratio, make sure to select a conversion method from the aspect ratio conversion setting.

If the aspect ratio set in [Aspect Ratio] differs from the project settings, select which method to use to convert the aspect ratio from the list.

Setting the Aspect Ratio Conversion

Check this item to convert the aspect ratio after cropping with the overscan size. The overscan size differs according to the project settings.

Select a frame rate from the list. If you have set a customized frame rate, be sure to select a conversion method in the frame rate conversion settings.

If the frame rate set in [Frame Rate] differs from the project settings, select from the list which conversion to perform.

If you select [Frame blending], supplemental frames will be interpolated by combining the frame before and after each supplemental frame. If you select [Nearest frame], the nearest frame will be used to make supplementary frames.

Select a field order from the list. If you select [Auto], the optimum perceived field order will be selected automatically.

Select whether the video to be exported displays the drop frame timecode or the non drop frame timecode as default.

This can be set when an exporter to which the alpha channel is retained and can be output to is selected.

Select whether to output only the color channel or to output the color channel and the alpha channel.

Select the number of channels from the list. If the selected number of channels is fewer than the project setting, the channels will be exported in order from 1ch. Select [2ch] to export a multi-channel project to be used with software of another company.

Select a sampling rate from the list.

Select an audio quantization bitrate from the list. Select [16bit] to export a multi-channel project to be used with software of another company.

Check this item to export the audio part.

Check this item to create waveform cache (waveform representation of audio).

Letter box / Side panel

16:9 → 4:3

The 16:9 screen is displayed in the center of a 4:3 screen, and a letter box effect is added above and below.

4:3 → 16:9

The 4:3 screen is displayed in the center of a 16:9 screen, and side panels are added at the edges.

Side cut / Crop top and bottom

16:9 → 4:3

The left and right sides of the 16:9 screen are cropped to fit the 16:9 screen to a 4:3 screen size.

4:3 → 16:9

The top and bottom parts of the 4:3 screen are cropped to fit the 4:3 screen to a 16:9 screen size.

Anamorphic

16:9 → 4:3

The 16:9 screen is compressed horizontally to fit a 4:3 screen size. The frame aspect ratio is not conserved.

4:3 → 16:9

The 4:3 screen is stretched horizontally to fit a 16:9 screen size. The frame aspect ratio is not conserved.

Semi-letter box (14:9/13:9)

16:9 → 4:3

The 16:9 screen is cropped to a 14:9 or 13:9 screen size, displayed in the center of a 4:3 screen and a letter box effect is added above and below.

4:3 → 16:9

The 4:3 screen is cropped to a 14:9 or 13:9 screen size, displayed in the center of a 16:9 screen and side panels are added at the edges.

[Format]

Select the number of bits.

[Settings]

Set bitstream details.

[Dolby Setting] Dialog Box

［1/0］

―

―

―

Ch1

―

―

―

―

［2/0］

―

Ch1

Ch2

―

―

―

―

―

［2/1］

―

Ch1

Ch2

―

―

―

―

Ch3

Yes

Ch1

Ch2

―

Ch3

―

―

Ch4

［2/2］

―

Ch1

Ch2

―

―

Ch3

Ch4

―

Yes

Ch1

Ch2

―

Ch3

Ch4

Ch5

―

［3/0］

―

Ch1

Ch2

Ch3

―

―

―

―

Yes

Ch1

Ch2

Ch3

Ch4

―

―

―

［3/1］

―

Ch1

Ch2

Ch3

―

―

―

Ch4

Yes

Ch1

Ch2

Ch3

Ch4

―

―

Ch5

［3/2］

―

Ch1

Ch2

Ch3

―

Ch4

Ch5

―

Yes

Ch1

Ch2

Ch3

Ch4

Ch5

Ch6

―

[Audio Coding Mode]

Specify the audio channel (front left (L), front center (C), front right (R), single rear (S) rear left (Ls), rear right (Rs)).

Select an option from [1/0] (C only, monaural), [2/0] (L/R, stereo), [2/1] (L/R/S), [2/2] (L/R/Ls/Rs), [3/0] (L/C/R), [3/1] (L/C/R/S), [3/2] (L/C/R/Ls/Rs).

The items where the number of channels exceeds the audio channels in the project setting cannot be selected.

[LFE Channel]

Check this item to export including LFE channel. When [Audio Coding Mode] is set to [1/0] or [2/0], it cannot be selected.

[Dolby Surround Mode]/[Dolby Surround Mode EX]*

Set Dolby surround or Dolby Digital surround EX. When [Audio Coding Mode] is set to [1/0] or [2/1], it cannot be selected.

[Stereo Downmix Preference]

Can be set when [Audio Coding Mode] is set to [3/0], [3/1], or [3/2].

Dolby surround mode is not specified.

Downmix to audio compatible with Dolby surround.

Downmix to audio compatible with stereo or monaural playback.

Downmix in the Dolby Digital Pro Logic II format. For Dolby Digital Professional, it cannot be set.

[Center Mix Level]

Can be set when [Audio Coding Mode] is set to [3/0], [3/1], or [3/2].

Select a value to downmix the center channel when the playback device does not have the center channel and stereo playback is to be performed. Selecting [-INF dB] deletes the center channel.

[Surround Mix Level]

Can be set when [Audio Coding Mode] is set to [2/1], [2/2], [3/1], or [3/2].

Select a value to downmix the surround channel when the playback device does not have the surround channel and stereo playback is to be performed. Selecting [-INF dB] deletes the surround channel.

[Peak mixing level]

Specify the peak sound pressure level (SPL) in the environment where the final mixing has been performed (such as a studio or dubbing stage). Select from [111 dB] to [80 dB].

[Dialog Normalization]

Specify the average audio level of the bitstream. Specifying this value enables playback of multiple audio with the same level on the playback device. Select from [-31 dB] to [-1 dB].

The difference between the selected value and 31 dB is the attenuation when the audio is played back on a playback device. Select the audio level [-31 dB] from the edited file.

Example : For audio of average - 6 dB

Set [-6 dB]. The attenuation will be 31 dB – 6 dB = 25 dB.

Example : For audio of average - 12 dB

Set [-12 dB]. The attenuation will be 31 dB – 12 dB = 19 dB.

[Bitstream Mode]

Set the audio service included in the bitstream.

[Room type]

Specify the information on the environment where the final mixing has been performed (such as a studio or dubbing stage).

[Dynamic range control profile]

Specify the dynamic range compression settings. To use [Dynamic range control profile], configure [Dialog Normalization] properly.

[A/D converter type]

Specify the digital conversion process.

[LFE lowpass filter]

Check this item to enable the low-pass filter of the LFE channel and to filter audio of 120 Hz or higher.

[90-degree phase shift]

Check this item to output in Dolby surround compatible audio when downmix playback of multi-channel audio is performed on a 2-channel decoder.

[3 db attenuation]

Check this item to decrease the surround channel by 3 dB when home theater equipment compatible with multi-channel is used.

[Copyright Flag]

Check this item to specify that the output file contains copyright-protected contents.

[Original Flag]

Check this item to specify that the output file is not a copy but an original file.

Set the profile. The selectable profiles will differ dependent on the frame size to be exported.

[CBR] assigns a constant number of bits. Although noise, etc. may be present, the encoding process is made quicker.

[VBR] changes the assigned bitrate according to the complexity of the movement or image quality. Compared with [CBR], the media volume can be used more efficiently, and this enables more consistent image quality overall.

Set this item if [CBR] or [VBR] has been selected as the bitrate type. You can either select from the list or enter values directly.

Set this item if [VBR] has been selected as the bitrate type. You can either select from the list or enter values directly.

Set this item if [Quality] has been selected as the bitrate type. Select the image quality from the list.

Check this item to export using hardware encoding such as Quick Sync Video. It is not displayed when hardware encoding cannot be used.

Select the audio compression format from the list.

• For [Dolby Digital (AC-3)]

  If the number of audio channels in the project settings is 6ch or more, 7ch/8ch are discarded, and output is with 5.1ch - 1ch:L, 2ch:R, 3ch:C, 4ch:LFE, 5ch:Ls, and 6ch:Rs. If the number of audio channels in the project settings is 5ch or lower, all except 1/2ch are discarded and output is with 2ch.

• For [Linear PCM]

  If the number of audio channels in the project settings is 8ch, output is with 8ch; if the number is 6ch/7ch, output is with 6ch; if the number is 4ch/5ch, output is with 4ch: and if the number is 3ch, output is with 2ch.

Select a bitrate from the list.

Enter the IDR frame interval, and set the GOP size.

Set the number of B-frames included in one GOP.

Set up to how many frames to consider when motion estimation is performed.

Check this item to divide 1 frame into 4 parts. If the decoder supports multi-slicing, the decoding may be made quicker.

Select the H.264 encoding mode.

Select the unit of division for the motion estimation block from the list.

Set the block size during motion estimation for intra-frames/inter-frames.

Check this item to export a clip of a raw source without re-encoding.

This increases the output speed.

Select an image quality.

Select quality from the list. The higher the quality, the more time it takes to be encoded.

Select a bitrate type.

[CBR] sets a fixed transfer rate, allocating a fixed number of bits during the encoding process. Select a bitrate from the [Average(bps)] list. You can also enter a value directly.

[VBR] sets a variable transfer rate, altering the number of assigned bits according to the complexity of the movement or image quality. Compared with [CBR], the media volume can be used more efficiently, and this enables more consistent image quality overall. Select a bitrate from the [Average(bps)] and [Maximum(bps)] lists. You can also enter a value directly.

Select the audio compression format from the list.

Select from [Stereo], [Dual Channel] or [Joint Stereo]. [Stereo] is normal stereo that records separately on the left and right sides. If there is a large difference between the left and right audio, compared to stereo that saves audio with a greater focus on one side, [Dual Channel] records totally independently so that there is no bias in sound quality to one side. Select to enter narration in 2 languages, etc. [Joint Stereo] improves audio quality and compression ratio when recording left and right audio separately by automatically using a single channel that combines the audio when the left and right sides are the same or one more channel when the left and right audio are different.

Select a bitrate from the list.

For interlace, a field order can be selected.

Select a YUV pixel format from the list.

Select a profile & level. If [Chroma Format] is [4:2:0] and [4:2:2], the profile will be set to Main Profile and 422Profile, respectively. The level for SD image quality will be Main Level, and the level for HD image quality will be High Level. The profile & level changes according to the format selected in [Chroma Format].

For MPEG, a certain number of frames is considered as a group, and operations such as compression/enlargement and cut editing are performed on a GOP basis. A GOP comprises “I frame”, “P frame” and “B frame”. The I frame allows images to be reproduced independently, the P frame is for recording and reproducing only the differences with the preceding image, and the B frame reproduces images from the differences in the preceding and following images. Select I, P and B frame patterns of the GOP from the list. Normally, select [IBBP].

[I-Frame Only] is comprised of only I-pictures. Editing is made easier, but the amount of data increases in size.

Set the number of frames included in a group.

Check this item to complete information within each GOP. Although the amount of data increases, the video can be re-edited using software that supports GOP-based editing. Normally, leave this item unchecked.

Select from the list for high-frequency compensation that saves while emphasizing the high range. With [None], there is no high-frequency compensation.[50/15 us] is an emphasis setting employed by some audio CDs, etc. [CCITT J.17] is a telecommunications standard recommended by CCITT.

The “protection_bit” indicates whether redundancy is added to an audio stream in order to make error detection and correction possible. Check this item to change it to “1”, indicating that redundancy is being added. Uncheck this item to change it to “0”, indicating that redundancy is not being added.

Check this item to change the “original_copy” bit to “1”, indicating the original copy. If it is unchecked, it becomes “0”, indicating a duplication.

Check this item to change the “copyright” bit to “1”, indicating that the copyright is protected. If it is unchecked, it becomes “0”, indicating there is no copyright.

Change the aspect ratio correction or export field settings. The settings for [Still Image] in [System Settings] will be the initial values.

Exporting a Still Image

Export all frames between In and Out points on the timeline as still image files.

Check this item to export sequence markers as cue points for Flash. Select the name of the type of cue point.

Export is possible with metadata appended.

Select an item from the [Name] list, and enter metadata at [Value].

Import XMP format (*.xmp) metadata. This is reflected in the [Metadata] setting.

Export the settings made at [Metadata] in XMP format.

Select whether to export to an SxS memory card, to export to an SDHC memory card or to save to a local folder.

If [Sony - SxS Memory Card] or [JVC - SDHC Memory Card] is selected, select a card from the list.

If [Automatically select the next card when card is full.] is checked, when free space runs out on the SxS memory card selected as the export destination, an SxS memory card with free space will be selected automatically and exported to. If it is unchecked, a dialog box will be displayed to select the export destination.

If [Folder] has been selected, click [...] and specify a save destination.

Check this item to export a clip of a raw source without re-encoding. This increases the output speed.

Check this item to complete information within each GOP. Although the amount of data increases, the video can be re-edited using software that supports GOP-based editing.

Check this item to export the audio as a stereo track. This is only displayed when the audio channel is 2ch.

Select an image quality mode (SP or HQ).

Select quality from the list. The higher the quality, the more time it takes to be encoded.

Add metadata such as title and comments to clips to be exported.

Select the next memory card drive.

Click this item after selecting a drive or after replacing a memory card.

Select whether to export to a GF drive or save to a desired PC folder.

If [GF Drive] has been selected, select a Drive from the list.

If [Folder] has been selected, click [Select] and specify a save destination.

Set the BIN in which to register the exported clip. Select from the list, or click [Append], enter a BIN title and register anew to the list.

Enter the name of the clip to be exported.

Check this item to export a clip of a raw source without re-encoding. This increases the output speed.

Select the GOP type from [I-Frame Only(100 Mbps)] or [Long GOP(50 Mbps)].

Select a quality.

Select the number of audio channels.

Select an audio quantization bitrate.

Select whether to export to an Infinity drive or save to a desired PC folder.

If [Infinity Drive] has been selected, select a Drive from the list.

If [Folder] has been selected, click [Select] and specify a save destination.

Enter the name of the clip to be exported.

Select whether the playlist name has the same name as the clip name. If [Specified the playlist.] has been selected, enter a playlist name.

Check this item to export a clip of a raw source without re-encoding. This increases the output speed.

Select a bitrate from the list.

Select a quality.

Select an audio quantization bitrate and a number of audio channels from the list.

Select whether to export to an XDCAM drive, to an FTP server, or to the desired folder on the PC.

If [XDCAM Drive] was selected, select a Drive from the list.

If [FTP] was selected, check the server to be exported to and, as necessary, check the item described below.

If [Folder] was selected, click [Select] and specify a save destination.

Check this item to export a temporary file to the project folder, and then upload the actual data to an FTP server. After outputting the temporary file, if an error occurs during transfer to the FTP server or if the upload is aborted, the temporary file will not be deleted.

Set the file name to be exported.

If [XDCAM Drive] or [FTP] is selected as the export destination, [Auto (C****)] will become enabled. If it is checked, a file name will be added automatically. To set a preferred file name, remove the check from [Auto (C****)] and enter a name in [Clip Name]. (“Clip Naming” must be set as “Free” on the XDCAM drive side.)

If [Folder] is selected as the export destination, enter a clip name.

Check this item to export a clip of a raw source without re-encoding. This increases the output speed.

Select a bitrate from the list.

Select a quality.

Check this item not to use the B-picture at the GOP border as reference across GOPs. Although the amount of data increases, the video can be re-edited using software that supports GOP-based editing, as the information is completed within each GOP.

Select the audio format to export.

Select whether to export to an XAVC S device or to a desired PC folder.

If [Memory Card] has been selected, select a device from the list.

If [Folder] has been selected, click [Browse] and specify a save destination.

Select the bitrate and image quality of the video to be exported.

[Use Hardware Encoder]

Check this item to export using hardware encoding such as Quick Sync Video. It is not displayed when hardware encoding cannot be used.

Select the audio format of the video to be exported.

Add metadata such as title and comments to clips to be exported.

Select whether to export to an XDCAM drive, to an FTP server, or to the desired folder on the PC.

If [XDCAM Drive] was selected, select a drive from the list.

If [FTP] was selected, check the server to be exported to and, as necessary, check the item described below.

If [Folder] was selected, click [Select] and specify a save destination.

Check this item to export a temporary file to the project folder, and then upload the actual data to an FTP server. After exporting the temporary file, if an error occurs during transfer to the FTP server or if the upload is aborted, the temporary file will not be deleted.

Set the file name to be exported.

If it is checked, a file name will be set automatically. To set a preferred file name, remove the check from [Auto (C****)] and enter a name in [Clip Name]. (“Clip Naming” must be set as “Free” on the XDCAM drive.)

Select the format to export.

Select the quality to export.

Select the audio channels to export.

Enter the name of the clip (file) to be exported.

Select whether to export to a desired PC folder or to an FTP server.

If [Folder] was selected, click [Select] and specify a save destination.

If [FTP] was selected, check the server to be exported to and, as necessary, check the items described below.

Check this item to overwrite a file if the file with the same file name is present at the FTP server of the export destination.

Check this item to export a temporary file to the project folder, and then upload the actual data to an FTP server. After outputting the temporary file, if an error occurs during transfer to the FTP server or if the upload is aborted, the temporary file will remain undeleted.

Check this item to export a file without adding the file extension to the name entered in [Clip Name]. (If [Clip Name] contains a file extension, export will take place with a clip file name with its file extension removed.)

When this item is unchecked, export will take place with the “*.gxf” file extension added if the name entered in [Clip Name] does not include the file extension.

Becomes enabled if [Upload to FTP after exporting file] is unchecked.

If it is checked and export is aborted, the file created up to the time point of the abort will remain at the export destination.

Check this item to export a clip of a raw source without re-encoding.

This increases the output speed.

Select a bitrate type.

[CBR] sets a fixed transfer rate, allocating a fixed number of bits during the encoding process. Enter an average bitrate in [Average].

[VBR] sets a variable transfer rate, altering the number of assigned bits according to the complexity of the movement or image quality. Enter the average bitrate in [Average], and maximum bitrate in [Max].

Select quality from the list.

The field order can be selected if it is in SD format.

Select I, P and B frame patterns of the GOP from the list. Normally, select [IBBP].

[I-Frame Only] is comprised of only I-pictures. Editing is made easier, but the amount of data increases in size.

Enter the number of frames included in 1 GOP.

If it is checked, the GOP will be closed. Although the amount of data increases, the video can be re-edited using software that supports GOP-based editing, as the information is completed within each GOP. Normally, leave this item unchecked.

Select a YUV pixel format from the list.

Select a profile & level. If [Chroma Format] is [4:2:0] and [4:2:2], the profile will be set to Main Profile and 422Profile, respectively. The level for SD image quality will be Main Level, and the level for HD image quality will be High Level. The profile & level changes according to the format selected in [Chroma Format].

Select a bitrate from the list.

Select the number of audio channels you want to export from the list. [Current setting] is the number of channels configured in the project settings. If [Enable Conversion] is checked for the exporter and the number of channels for the audio format is changed from the project settings, the number of channels will be the number set here.

Select the number of bits to be used during sampling. [Current setting] is the number of bits configured in the project settings.

Enter the name of the clip (file) to be exported.

Select whether to export to a desired PC folder or to an FTP server.

If [Folder] was selected, click [Select] and specify a save destination.

If [FTP] was selected, check the server to be exported to and, as necessary, check the items described below.

Check this item to overwrite a file if the file with the same file name is present at the server of the export destination. Uncheck this item to display a confirmation message.

Check this item to export a temporary file to the project folder, and then upload the actual data to an FTP server. After outputting the temporary file, if an error occurs during transfer to the FTP server or if the upload is aborted, the temporary file will not be deleted.

Check this item to export a file without adding the file extension to the name entered in [Clip Name]. (If [Clip Name] contains a file extension, export will take place with a clip file name with its file extension removed.)

Uncheck this item to export a file with the “*.mxf” added if the name entered in [Clip Name] does not include the file extension.

Becomes enabled if [Upload to FTP after exporting file] is unchecked.

When this item is checked, the file being uploaded will be completed if an upload is aborted.

Check this item to export a clip of a raw source without re-encoding.

This increases the output speed.

Select a bitrate type.

[CBR] sets a fixed transfer rate, allocating a fixed number of bits during the encoding process. Enter an average bitrate in [Average].

[VBR] sets a variable transfer rate, altering the number of assigned bits according to the complexity of the movement or image quality. Enter the average bitrate in [Average], and maximum bitrate in [Max].

Select quality from the list.

The field order can be selected if it is in SD format.

Select I, P and B frame patterns of the GOP from the list. Normally, select [IBBP].

[I-Frame Only] is comprised of only I-pictures. Editing is made easier, but the amount of data increases in size.

Enter the number of frames included in 1 GOP.

If it is checked, the GOP will be closed. Although the amount of data increases, the video can be re-edited using software that supports GOP-based editing, as the information is completed within each GOP. Normally, leave this item unchecked.

Select a YUV pixel format from the list.

Select a profile & level. If [Chroma Format] is [4:2:0] and [4:2:2], the profile will be set to Main Profile and 422Profile, respectively. The level for SD image quality will be Main Level, and the level for HD image quality will be High Level. The profile & level changes according to the format selected in [Chroma Format].

Select a bitrate from the list.

Select the number of audio channels you want to export from the list. [Current setting] is the number of channels configured in the project settings. If [Enable Conversion] is checked for the exporter and the number of channels for the audio format is changed from the project settings, the number of channels will be the number set here.

Select the number of bits to be used during sampling from the list. [Current setting] is the number of bits configured in the project settings.

Specify the number of channels to be included in 1 audio track for MXF.

Select the audio format to export.

Select a system item format.

Select a KAG (KLV Alignment Grid) size.

Click [Browse], and specify save destination. The files for the L and R sides are saved to the same folder.

Set the suffix of the file name for the L and R sides.

Click [Browse], and specify each export destination for the files for the L and R sides.